Guías Docentes Electrónicas
1. General information
Course:
MUSICAL EDUCATION
Code:
46319
Type:
CORE COURSE
ECTS credits:
6
Degree:
392 - BACHELOR'S DEGREE IN PRIMARY EDUCATION (AB)
Academic year:
2023-24
Center:
101 - FACULTY OF EDUCATION IN ALBACETE
Group(s):
17  18  19  15 
Year:
1
Duration:
First semester
Main language:
Spanish
Second language:
English
Use of additional languages:
English Friendly:
N
Web site:
Bilingual:
Y
Lecturer: RAQUEL BRAVO MARIN - Group(s): 18 
Building/Office
Department
Phone number
Email
Office hours
Despachos de Música, Facultad de Educación de Albacete
DIDÁCTICA DE LA EDUCACIÓN FÍSICA, ARTÍSTICA Y MÚSICA
96211
Raquel.Bravo@uclm.es
It will be published on the notice board in the Music office and it will be posted in Campus Virtual

Lecturer: JOSE ANTONIO HERNANDEZ BRAVO - Group(s): 15 
Building/Office
Department
Phone number
Email
Office hours
Despachos de Música, Facultad de Educación de Albacete
DIDÁCTICA DE LA EDUCACIÓN FÍSICA, ARTÍSTICA Y MÚSICA
96211
josea.hernandez@uclm.es
It will be published on the notice board in the Music office and it will be posted in Campus Virtual

Lecturer: NARCISO JOSE LOPEZ GARCIA - Group(s): 19 
Building/Office
Department
Phone number
Email
Office hours
Despachos de Música, Facultad de Educación de Albacete
DIDÁCTICA DE LA EDUCACIÓN FÍSICA, ARTÍSTICA Y MÚSICA
96211
NarcisoJose.Lopez@uclm.es
It will be published on the notice board in the Music office and it will be posted in Campus Virtual

Lecturer: ISIDRO JOAQUÍN MARTÍNEZ SÁIZ - Group(s): 17 
Building/Office
Department
Phone number
Email
Office hours
Despachos de Música, Facultad de Educación de Albacete
DIDÁCTICA DE LA EDUCACIÓN FÍSICA, ARTÍSTICA Y MÚSICA
96211
Isidro.Martinez@uclm.es
It will be published on the notice board in the Music office and it will be posted in Campus Virtual

2. Pre-Requisites

None.

3. Justification in the curriculum, relation to other subjects and to the profession

The aim of education is the comprehensive development of the human being, and music is one of the subjects (but not the last) which contributes to this growth. Many studies confirm that Music Education encourages, fortifies and develops every person’s respects: imagination, sensitivity, communcation skills, motor coordination, awareness of senses, listening aptitude, order, logical and mathematical thinking, abstraction capacity, memory, respect for other people and rules, creativity, sociability, involvement, self-esteem, self-control, self-confidence, etc. All of them facilitate the human comprehensive development in physical aspects as well as afective and mental ones. Therefore, the course will help the students to be trained in music, as far as possible, as a future Primary School teacher in a double perspective: to their own training as a person and to qualify them to use music as a way for developing their future students of Primary Education.


4. Degree competences achieved in this course
Course competences
Code Description
1.2.4.II.01 Understand the main principles that contribute to cultural, personal and social training within arts.
1.2.4.II.02 Know the audiovisual aspects and aspects related to music and arts within the arts curriculum.
1.2.4.II.03 Acquire resources to foster participation in lifelong learning music and arts activities in and out of the school
1.2.4.II.04 Develop and assess curriculum contents by using appropriate teaching resources and promote the corresponding competences in the classroom.
CB01 Prove that they have acquired and understood knowledge in a subject area that derives from general secondary education and is appropriate to a level based on advanced course books, and includes updated and cutting-edge aspects of their field of knowledge.
CB03 Be able to gather and process relevant information (usually within their subject area) to give opinions, including reflections on relevant social, scientific or ethical issues.
CB04 Transmit information, ideas, problems and solutions for both specialist and non-specialist audiences.
CB05 Have developed the necessary learning abilities to carry on studying autonomously
5. Objectives or Learning Outcomes
Course learning outcomes
Description
Understand the basic elements of musical language.
Know how to plan and develop teaching proposals and projects related to different artistic fields.
Apply the basic principles of musical language, vocally, instrumentally or through movement, in a practical way.
Know the contents of basic competences of Music Education found in the curriculum of Primary Education
Develop the following competences through creative means: interpreting, arranging, composing, improvising and listening (analysing)
Know how to analyse different artistic and cultural manifestations.
Have knowledge of the appropriate methodology and resources of the musical, artistic and visual teaching-learning processes.
Additional outcomes
Not established.
6. Units / Contents
  • Unit 1: Music Education and Pedadogy of Music in Primary Education: fundamentals and methologies.
  • Unit 2: Music theory and practice: studies and application of the basic elements of music (musicianship and music history).
  • Unit 3: Didactic proposals on expression, performance, improvisation, and music creation through the voice, body, and instruments.
  • Unit 4: Repertory of chants and games with musical contents, instrumental practice, movement, dance, and music listening.
ADDITIONAL COMMENTS, REMARKS

If applicable, any modifications or adaptations needed in the teaching guides as a result of a change in the teaching or evaluation model derived from the evolution of the pandemic will be documented in a later addendum


7. Activities, Units/Modules and Methodology
Training Activity Methodology Related Competences (only degrees before RD 822/2021) ECTS Hours As Com Description
Class Attendance (theory) [ON-SITE] Lectures CB01 CB03 CB04 CB05 0.52 13 Y N Oral presentation and commentary in class about the theoretical content.
Class Attendance (practical) [ON-SITE] Practical or hands-on activities CB03 CB04 CB05 0.68 17 Y N This activity includes the development of the practical content. UNRECOVERABLE
Project or Topic Presentations [ON-SITE] project-based learning CB05 1.04 26 Y Y Grupal performance in oral presentation, tasks, etc. It is RECOVERABLE. The detection by the teacher that a work, essay or similar test has not been prepared by the student will mean a numerical grade of zero (0) both in the tests and in the subject, regardless of the rest of the grades that the student had obtained.
Writing of reports or projects [OFF-SITE] Self-study CB03 2.8 70 Y N Readings, theoretical topics, rehearsals of music repertoire, individual work, elaboration of reports, and other substitutive work regarding creative and practical contents.
Study and Exam Preparation [OFF-SITE] Self-study CB03 CB04 CB05 0.8 20 Y N Study time and preparation of tests.
Final test [ON-SITE] Assessment tests CB03 CB04 CB05 0.16 4 Y Y Several theorical and practice-based tasks per each student will be assessed to demonstrate the achivement of the subject competences. It is RECOVERABLE. The evaluation test carried out by the student in which the performance of a fraudulent practice has been verified will carry with it a fail, with a final grade of zero (0) in the corresponding call for the subject.
Total: 6 150
Total credits of in-class work: 2.4 Total class time hours: 60
Total credits of out of class work: 3.6 Total hours of out of class work: 90

As: Assessable training activity
Com: Training activity of compulsory overcoming (It will be essential to overcome both continuous and non-continuous assessment).

8. Evaluation criteria and Grading System
Evaluation System Continuous assessment Non-continuous evaluation * Description
Final test 30.00% 30.00% Written exam in which the acquired skills related to the contents of the subjects will be demonstrated.
Oral presentations assessment 30.00% 30.00% Delivery through Moodle, representation and defense of a simple didactic proposal in which the blocks of contents of which Music Education is composed are collected and developed, which will be worked throughout the semester in the practical sessions.
Portfolio assessment 40.00% 40.00% Practical and / or written activities, worksheets, text comments, viewing of documentaries and other types of exercises and tasks that will be proposed both in person and through Moodle.
Total: 100.00% 100.00%  
According to art. 4 of the UCLM Student Evaluation Regulations, it must be provided to students who cannot regularly attend face-to-face training activities the passing of the subject, having the right (art. 12.2) to be globally graded, in 2 annual calls per subject , an ordinary and an extraordinary one (evaluating 100% of the competences).

Evaluation criteria for the final exam:
  • Continuous assessment:
    BILINGUAL GROUP

    Continuous assessment is structured in the following parts:
    40% continuous evaluation (portfolio: practical and / or written activities, worksheets, text comments, viewing of documentaries and other types of exercises and tasks that will be proposed both in person and through Moodle). MANDATORY AND RECOVERABLE ACTIVITY.
    30% written exam (final test) in which the educational-musical skills acquired will be demonstrated. MANDATORY AND RECOVERABLE ACTIVITY.
    30% Submission, representation and defense of the didactic proposal (oral presentation of topics). MANDATORY AND RECOVERABLE ACTIVITY.

    A minimal mark of a minimum 4 points over 10 is required on each of the mandatory blocks to calculate the average grade. In order to pass the subject, the student needs to achieve a minimum 5 points over 10.

    For every mistake of those included in the "List of mistakes to avoid" (see the Moodle), the student will miss 0,2 points in the corresponding activity up to a maximum of 1.6 marks (8 mistakes). If the mistake is repeated, the repetition(s) will be also penalized.

    If a fraudulent practice is detected in any kind of evaluation carried out by a student, the exam, project... will result into failure, with a final grade of zero (0) in the corresponding course. The detection by the lecturer that an assignment, essay or similar test has not been prepared by the student will result in a numerical grade of zero (0) both in the tests and in the course in which it has been detected, regardless of the rest of the grades obtained by the student (See Article 8 of the UCLM Student Assessment Regulations).
  • Non-continuous evaluation:
    BILINGUAL GROUP

    Students that do not qualify for the continuous assessment, will adhere to the NON-CONTINUOUS EVALUATION:

    Those students who do not meet the attendance requirement will be evaluated through non-continuous assessment:
    40% + 30% Non-continuous assessment: theoretical exam on the contents of the subject (musical language, musical culture and auditions). These percentages include the part corresponding to the portfolio, which will only be valued in the continuous evaluation model. MANDATORY AND RECOVERABLE ACTIVITY.

    30% didactic written work. Work of didactic character in which the blocks of contents of which the Music Education is composed are collected and developed. MANDATORY AND RECOVERABLE ACTIVITY.

    It will be necessary to obtain at least 4 points out of 10 in each of the compulsory blocks in order to calculate the average grade.This average grade must be at least 5 points out of 10 in the total calculation of the evaluable parts of the subject.

    For every mistake of those included in the "List of mistakes to avoid" (see the Moodle), the student will miss 0,2 points in the corresponding activity up to a maximum of 1.6 marks (8 mistakes). If the mistake is repeated, the repetition(s) will be also penalized.

    If a fraudulent practice is detected in any kind of evaluation carried out by a student, the exam, project... will result into failure, with a final grade of zero (0) in the corresponding course. The detection by the lecturer that an assignment, essay or similar test has not been prepared by the student will result in a numerical grade of zero (0) both in the tests and in the course in which it has been detected, regardless of the rest of the grades obtained by the student (See Article 8 of the UCLM Student Assessment Regulations).

Specifications for the resit/retake exam:
BILINGUAL GROUP

Marks that are above 40% (there are three blocks A-C, see paragraph above) will be kept in the current academic year.

If a fraudulent practice is detected in any kind of evaluation carried out by a student, the exam, project... will result into failure, with a final grade of zero (0) in the corresponding course. The detection by the lecturer that an assignment, essay or similar test has not been prepared by the student will result in a numerical grade of zero (0) both in the tests and in the course in which it has been detected, regardless of the rest of the grades obtained by the student (See Article 8 of the UCLM Student Assessment Regulations).
Specifications for the second resit / retake exam:
BILINGUAL GROUP
Same as above.
9. Assignments, course calendar and important dates
Not related to the syllabus/contents
Hours hours

Unit 1 (de 4): Music Education and Pedadogy of Music in Primary Education: fundamentals and methologies.
Activities Hours
Class Attendance (theory) [PRESENCIAL][Lectures] 3.25
Class Attendance (practical) [PRESENCIAL][Practical or hands-on activities] 4.25
Project or Topic Presentations [PRESENCIAL][project-based learning] 6.5
Writing of reports or projects [AUTÓNOMA][Self-study] 17.5
Study and Exam Preparation [AUTÓNOMA][Self-study] 5
Final test [PRESENCIAL][Assessment tests] 1
Teaching period: FIRST SEMESTER
Group 16:
Initial date: 18-09-2023 End date: 29-09-2023
Group 11:
Initial date: 18-09-2023 End date: 29-09-2023
Group 10:
Initial date: 18-09-2023 End date: 29-09-2023
Group 14:
Initial date: 18-09-2023 End date: 29-09-2023
Group 17:
Initial date: 18-09-2023 End date: 29-09-2023
Group 19:
Initial date: 18-09-2023 End date: 29-09-2023
Group 13:
Initial date: 18-09-2023 End date: 29-09-2023
Group 15:
Initial date: 18-09-2023 End date: 29-09-2023
Group 12:
Initial date: 18-09-2023 End date: 29-09-2023
Group 18:
Initial date: 18-09-2023 End date: 29-09-2023

Unit 2 (de 4): Music theory and practice: studies and application of the basic elements of music (musicianship and music history).
Activities Hours
Class Attendance (theory) [PRESENCIAL][Lectures] 3.25
Class Attendance (practical) [PRESENCIAL][Practical or hands-on activities] 4.25
Project or Topic Presentations [PRESENCIAL][project-based learning] 6.5
Writing of reports or projects [AUTÓNOMA][Self-study] 17.5
Study and Exam Preparation [AUTÓNOMA][Self-study] 5
Final test [PRESENCIAL][Assessment tests] 1
Teaching period: FIRST SEMESTER
Group 10:
Initial date: 02-10-2023 End date: 31-10-2023
Group 11:
Initial date: 02-10-2023 End date: 31-10-2023
Group 14:
Initial date: 02-10-2023 End date: 31-10-2023
Group 17:
Initial date: 02-10-2023 End date: 31-10-2023
Group 18:
Initial date: 02-10-2023 End date: 31-10-2023
Group 19:
Initial date: 02-10-2023 End date: 31-10-2023
Group 13:
Initial date: 02-10-2023 End date: 31-10-2023
Group 15:
Initial date: 02-10-2023 End date: 31-10-2023
Group 12:
Initial date: 02-10-2023 End date: 31-10-2023
Group 16:
Initial date: 02-10-2023 End date: 31-10-2023

Unit 3 (de 4): Didactic proposals on expression, performance, improvisation, and music creation through the voice, body, and instruments.
Activities Hours
Class Attendance (theory) [PRESENCIAL][Lectures] 3.25
Class Attendance (practical) [PRESENCIAL][Practical or hands-on activities] 4.25
Project or Topic Presentations [PRESENCIAL][project-based learning] 6.5
Writing of reports or projects [AUTÓNOMA][Self-study] 17.5
Study and Exam Preparation [AUTÓNOMA][Self-study] 5
Final test [PRESENCIAL][Assessment tests] 1
Teaching period: FIRST SEMESTER
Group 10:
Initial date: 02-11-2023 End date: 30-11-2023
Group 11:
Initial date: 02-11-2023 End date: 30-11-2023
Group 14:
Initial date: 02-11-2023 End date: 30-11-2023
Group 17:
Initial date: 02-11-2023 End date: 30-11-2023
Group 18:
Initial date: 02-11-2023 End date: 30-11-2023
Group 19:
Initial date: 02-11-2023 End date: 30-11-2023
Group 13:
Initial date: 02-11-2023 End date: 30-11-2023
Group 15:
Initial date: 02-11-2023 End date: 30-11-2023
Group 12:
Initial date: 02-11-2023 End date: 30-11-2023
Group 16:
Initial date: 02-11-2023 End date: 30-11-2023

Unit 4 (de 4): Repertory of chants and games with musical contents, instrumental practice, movement, dance, and music listening.
Activities Hours
Class Attendance (theory) [PRESENCIAL][Lectures] 3.25
Class Attendance (practical) [PRESENCIAL][Practical or hands-on activities] 4.25
Project or Topic Presentations [PRESENCIAL][project-based learning] 6.5
Writing of reports or projects [AUTÓNOMA][Self-study] 17.5
Study and Exam Preparation [AUTÓNOMA][Self-study] 5
Final test [PRESENCIAL][Assessment tests] 1
Teaching period: FIRST SEMESTER
Group 16:
Initial date: 01-12-2023 End date: 12-01-2024
Group 10:
Initial date: 01-12-2023 End date: 12-01-2024
Group 11:
Initial date: 01-12-2023 End date: 12-01-2024
Group 14:
Initial date: 01-12-2023 End date: 12-01-2024
Group 17:
Initial date: 01-12-2023 End date: 12-01-2024
Group 18:
Initial date: 01-12-2023 End date: 12-01-2024
Group 19:
Initial date: 01-12-2023 End date: 12-01-2024
Group 13:
Initial date: 01-12-2023 End date: 12-01-2024
Group 15:
Initial date: 01-12-2023 End date: 12-01-2024
Group 12:
Initial date: 01-12-2023 End date: 12-01-2024

Global activity
Activities hours
10. Bibliography and Sources
Author(s) Title Book/Journal Citv Publishing house ISBN Year Description Link Catálogo biblioteca
Aznárez Barrio, J. J. Didáctica del lenguaje musical: consideraciones pedagógicas Serie Música para todos 1992 Ficha de la biblioteca
Ballester, M.G. y Sánchez, J. Programar y evaluar por competencia en Educación Primaria UCLM 2010  
Bernal Vázquez, J: Didáctica de la música: la expresión musical en la educación Aljibe 2000 Ficha de la biblioteca
Copland, A. What To Listen For In Music Signet Classics 2011  
Coyle, D. Hood, P. & Marsh, D. Content and Language Integrated Learning Cambridge University Press 2010  
Cremades, R. Didáctica de la Educación Musical en Primaria Paraninfo 2017  
Dale, L. & Tanner, R. A resource for subject and language teachers Cambridge University Press 2013  
Diaz, M; Riaño, M. Creatividad musical Universidad de Cantabria 2007  
Elorriaga, A. ¡Música, maestros! Manual de Conocimiento Musical para Educación Infantil y Primaria UNIR 2015  
Fubini, Enrico La estética musical desde la Antigüedad hasta el siglo XX Alianza 1988 Ficha de la biblioteca
González-Pérez, J. Criado del Pozo, M. J. Psicología de la educación para una enseñanza práctica CCS 2003  
Hargreaves, D. Developmental Psychology of Music ¿ Cambridge University Press 1987  
Harris, P. Improve your teaching! Teaching Beginners: A New Approach for Instrumental and Singing Teachers Faber Music Limited 2017  
Harris, P. Instrumental and Singing Teachers (Faber Edition: Improve Your Teaching!) Faber Music Limited 2017  
Ignacio Pozo, J., Pérez Echeverría, M. P., Torrado del Puerto, J. A., López-Íñiguez, G. Aprender y enseñar música: Un enfoque centrado en los alumnos Ediciones Morata 2020  
Lindt, Lawrence Así como suena: una historia insólita de la música clásica Ma non troppo 2001 Ficha de la biblioteca
López de Arenosa, E. Apuntes sobre didáctica musical Enclave Creativa 2004 Ficha de la biblioteca
Morgan, Robert P. La música del siglo XX: una historia del estilo musical en l Akal 1994 Ficha de la biblioteca
Murray Schafer, R. El rinoceronte en el aula Ricordi 1998  
Murray Schafer, R. El compositor en el aula Ricordi 1965  
Ocaña Fernández, A. Propuestas didácticas para trabajar la audición musical en Educación Primaria Grupo Editorial Universitario 2002  
Pardo Cayuela, A. y Montoya Rubio, J. C. Música y Educación Musical Universidad de Murcia 2017  
Paterson, A. & Wheway, D. Kickstart Music: 3-5 years, 5-7 years, 9-11 years A. & C. Black 2010  
Paterson, A. & Willis, J. English through music Oxford University Press 2008  
Sanuy, M. Aula sonora: hacia una educación musical en primaria Morata 1996 Ficha de la biblioteca
Willems, E. El valor humano de la educación musical Paidós 2002 Ficha de la biblioteca
Wuytack, J. Música viva Leduc 1970  
Zamacois, J. Temas de estética y de historia de la música: con textos de Idea Books 2003 Ficha de la biblioteca



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