Guías Docentes Electrónicas
1. General information
Course:
AUDIOVISUAL FORMATS WORKSHOP
Code:
16517
Type:
CORE COURSE
ECTS credits:
6
Degree:
401 - UNDERGRADUATE DEGREE PROGRAMME IN AUDIOVISUAL COMMUNICATION
Academic year:
2021-22
Center:
12 - FACULTY OF COMMUNICATION
Group(s):
30  31 
Year:
2
Duration:
C2
Main language:
Spanish
Second language:
Use of additional languages:
English Friendly:
Y
Web site:
Bilingual:
N
Lecturer: NIEVES LIMÓN SERRANO - Group(s): 30  31 
Building/Office
Department
Phone number
Email
Office hours
2.15
DPTO. EN CONSTITUCIÓN
Nieves.Limon@uclm.es

2. Pre-Requisites
Not established
3. Justification in the curriculum, relation to other subjects and to the profession
Not established
4. Degree competences achieved in this course
Course competences
Code Description
CB01 Possess and understand knowledge in an area of study that builds on the foundation of general secondary education and is at a level that relies on advanced textbooks and also includes knowledge from the cutting edge of their field of study.
CB02 Apply knowledge to the craft or vocation in a professional manner and possess the skills to develop and defend arguments and solve problems within the field of study.
CB04 Convey information, ideas, problems and solutions for both specialist and non-specialist audiences.
CE11 Express themselves fluently and effectively orally and in writing, using the most appropriate linguistic and literary resources for the audiovisual industry.
CE13 Know and apply the practical basics of television, video, radio and photographic formats.
CG02 Develop creativity to take risks in the definition of research or creative topics from an innovative perspective that contributes to the knowledge, interpretation or development of audiovisual languages and/or formats.
CG03 Use the basic tools of information and communication technologies necessary for the exercise of professions linked to audiovisual communication.
CG04 Expose the results of academic work in writing, orally or by other means, in accordance with the canons of the communication disciplines.
CG05 Know the constitutional values, ethical principles and deontological rules applying to audiovisual communication.
CG06 Know the state of the world and its recent historical evolution as well as acquiring the concepts necessary for understanding its political, economic, technological and sociocultural dimensions in such a way that they serve as an instrument in the resolution of professional problems and challenges.
CG07 Acquire the ability to work in a team, face collective challenges and cooperatively solve problems, respecting the diversity of the participants and of their contributions.
5. Objectives or Learning Outcomes
Course learning outcomes
Description
Appreciate the relevance of media literacy and media education in the processes of shaping a political and active citizenship.
Understand the rhetoric of the different languages of the media.
Know the theoretical principles and handle the appropiate technologies for registering and editing audiovisual contents
Identify graphic design as an appropriate language for the display of information and data.
Identify the relevant actors in the media structure and in the audiovisual industry, both at the international and national sphere.
Appropriately organise verbal and written information in order to convert it into audiovisual information and use the necessary tools to propose effective communication solutions through audiovisual formats.
Handle and conserve materials as well as make appropriate use of the workspace (TV set, radio studio, laboratories, etc.).
Select, prioritise and adapt the contents to the different formats and languages of audiovisual communication.
Communicate as effectively, ethically and correctly as possible, producing texts in a linguistically comprehensible form and adapted to the norm.
Manage the techniques and processes for disseminating content through different media and formats.
Successfully apply the knowledge and skills acquired throughout the degree syllabus.
Apply theoretical principles to increase the effectiveness and innovation of audiovisual narratives.
Additional outcomes
Description
6. Units / Contents
  • Unit 1: Conceptualization of the format: from analog television to video on demand.
  • Unit 2: Creativity, adaptation and programming of formats.
  • Unit 3: Formats, audiovisual genres and narrative structures.
  • Unit 4: Language and writing in the audiovisual medium.
  • Unit 5: Audiovisual information formats: from television news to new informative narratives.
  • Unit 6: Production of other audiovisual genres on television, platforms and social networks.
  • Unit 7: Socio-technical and deontological considerations.
ADDITIONAL COMMENTS, REMARKS

The teaching staff reserves the right to adapt the contents of the subject and modify the teaching guide if required by the development of the course.

7. Activities, Units/Modules and Methodology
Training Activity Methodology Related Competences (only degrees before RD 822/2021) ECTS Hours As Com Description
Writing of reports or projects [OFF-SITE] Self-study CB01 CB02 CB04 CE11 CE13 CG02 CG03 CG04 CG05 CG06 CG07 2.4 60 Y Y
Class Attendance (theory) [ON-SITE] Lectures CG05 CG06 1 25 Y N
Laboratory practice or sessions [ON-SITE] Practical or hands-on activities CE13 CG02 CG03 1.4 35 Y N
Study and Exam Preparation [OFF-SITE] Cooperative / Collaborative Learning CB02 CB04 CE11 CE13 CG02 CG03 CG04 1.2 30 Y N
Total: 6 150
Total credits of in-class work: 2.4 Total class time hours: 60
Total credits of out of class work: 3.6 Total hours of out of class work: 90

As: Assessable training activity
Com: Training activity of compulsory overcoming (It will be essential to overcome both continuous and non-continuous assessment).

8. Evaluation criteria and Grading System
Evaluation System Continuous assessment Non-continuous evaluation * Description
Fieldwork assessment 40.00% 50.00%
Final test 50.00% 50.00%
Assessment of problem solving and/or case studies 10.00% 0.00%
Total: 100.00% 100.00%  
According to art. 4 of the UCLM Student Evaluation Regulations, it must be provided to students who cannot regularly attend face-to-face training activities the passing of the subject, having the right (art. 12.2) to be globally graded, in 2 annual calls per subject , an ordinary and an extraordinary one (evaluating 100% of the competences).

Evaluation criteria for the final exam:
  • Continuous assessment:
    Evaluation criteria not defined
  • Non-continuous evaluation:
    Evaluation criteria not defined

Specifications for the resit/retake exam:
Evaluation criteria not defined
Specifications for the second resit / retake exam:
Evaluation criteria not defined
9. Assignments, course calendar and important dates
Not related to the syllabus/contents
Hours hours

Unit 1 (de 7): Conceptualization of the format: from analog television to video on demand.
Activities Hours
Writing of reports or projects [AUTÓNOMA][Self-study] 8.5
Class Attendance (theory) [PRESENCIAL][Lectures] 3.5
Laboratory practice or sessions [PRESENCIAL][Practical or hands-on activities] 5
Study and Exam Preparation [AUTÓNOMA][Cooperative / Collaborative Learning] 4

Unit 2 (de 7): Creativity, adaptation and programming of formats.
Activities Hours
Writing of reports or projects [AUTÓNOMA][Self-study] 8.5
Class Attendance (theory) [PRESENCIAL][Lectures] 3.5
Laboratory practice or sessions [PRESENCIAL][Practical or hands-on activities] 5
Study and Exam Preparation [AUTÓNOMA][Cooperative / Collaborative Learning] 4

Unit 3 (de 7): Formats, audiovisual genres and narrative structures.
Activities Hours
Writing of reports or projects [AUTÓNOMA][Self-study] 8.5
Class Attendance (theory) [PRESENCIAL][Lectures] 3.5
Laboratory practice or sessions [PRESENCIAL][Practical or hands-on activities] 5
Study and Exam Preparation [AUTÓNOMA][Cooperative / Collaborative Learning] 5

Unit 4 (de 7): Language and writing in the audiovisual medium.
Activities Hours
Writing of reports or projects [AUTÓNOMA][Self-study] 8.5
Class Attendance (theory) [PRESENCIAL][Lectures] 3.5
Laboratory practice or sessions [PRESENCIAL][Practical or hands-on activities] 5
Study and Exam Preparation [AUTÓNOMA][Cooperative / Collaborative Learning] 4

Unit 5 (de 7): Audiovisual information formats: from television news to new informative narratives.
Activities Hours
Writing of reports or projects [AUTÓNOMA][Self-study] 9
Class Attendance (theory) [PRESENCIAL][Lectures] 4
Laboratory practice or sessions [PRESENCIAL][Practical or hands-on activities] 5
Study and Exam Preparation [AUTÓNOMA][Cooperative / Collaborative Learning] 5

Unit 6 (de 7): Production of other audiovisual genres on television, platforms and social networks.
Activities Hours
Writing of reports or projects [AUTÓNOMA][Self-study] 8.5
Class Attendance (theory) [PRESENCIAL][Lectures] 3.5
Laboratory practice or sessions [PRESENCIAL][Practical or hands-on activities] 5
Study and Exam Preparation [AUTÓNOMA][Cooperative / Collaborative Learning] 4

Unit 7 (de 7): Socio-technical and deontological considerations.
Activities Hours
Writing of reports or projects [AUTÓNOMA][Self-study] 8.5
Class Attendance (theory) [PRESENCIAL][Lectures] 3.5
Laboratory practice or sessions [PRESENCIAL][Practical or hands-on activities] 5
Study and Exam Preparation [AUTÓNOMA][Cooperative / Collaborative Learning] 4

Global activity
Activities hours
10. Bibliography and Sources
Author(s) Title Book/Journal Citv Publishing house ISBN Year Description Link Catálogo biblioteca
 
 
 
Adelman, Kim Cómo se hace un cortometraje: todo lo que precisas saber para rea izar con éxito un cortometraje Libro Barcelona MA NON TROPPO 2005  
Artero Rueda, Manuel El guión en el reportaje informativo. Un guiño a la noticia Libro Madrid IORTV. 2004  
Echevarría Llombart, Begoña El reportaje periodístico. Una radiografía de la realidad Libro Sevilla Comunicación social. 2011  
Echevarría Llombart, Begoña Las Ws del reportaje Libro Madrid Fundación Universidad S. Pablo 1998  
Esains, Ignacio Quiero ser Youtuber: ¡Todo lo que hay que saber para crear los mejores videos de la red! Libro Madrid No ficción ilustrados 2018  
Marrero Santan, Liliam El reportaje multimedia como género del periodismo digital actual. Acercamiento a sus rasgos formales y de contenido Revista Latina de Comunicación Social, 2008  
Martínez Albertos, José Luis Curso general de redacción periodística : lenguaje, estilos y géneros Libro Madrid Paraninfo 2012  
Pérez Tornero, José Manuel; Martín-Pascual, Miguel Ángel; Fernández-García, Nuria (eds.) MOJO Manual de periodismo móvil Libro Madrid IORTV. 2017  
Pérez, Gabriel Informar en la e-televisión Libro Pamplona Eunsa 2010  
Soler, Llorenç La realización de documentales y reportajes para televisión. Teoría y práctica. Libro Madrid CIMS 97 1988  
Stokel-Walker, Chris YouTubers: How YouTube shook up TV and created a new generation of stars Libro UK Cambury Press 2019  
Vilalta i Casas, Enrique El espíritu del reportaje Libro Barcelona Universitat de Barcelona. 2006  
Yorke, Ivor Principios básicos del reportaje televisivo Libro Madrid IORTV. 1993  



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